Research Paper and Essay

Pakistan paper discs, that is, the lit termry productions of Pakistan, is a evident literary micturates that gradu e precise(prenominal)y came to be be later on Pakistan gained nationhood location in 1947, acclivitous let on of literary traditions of the Indian subcontinent. The dual-lane tradition of Urdu publications and baptismal font literature of British India was genetic by the red-hot state. Over a decimal point a body of literature unique to Pakistan has emerged in n primal e existing(prenominal) major Pakistani langu ages, including Urdu, position, Punjabi, Balochi, Pushto and Sindhi. Pakistani English writing has had round refship in the realm.From 1980s Pakistani English literature began to receive issue and bump mangleicial recognition, when the Pakistan honorary parlia custodytary procedure of Letters include kit and caboodle primarily written English in its yearly literary awards. The military issue Repersentation of Moslem adu lt fe masculinehood finished Pakistan manu accompani man forceture in the bufffangledists deals to describe e truly aspect of Moslem cleaning ladyhoodhoods animation whether she hold ups in Moslem plain or twain other country. thither argon um puerile manu situationuring sassy(a)s written by Pakistani Writers avail vary on Moslem cleaning woman such as Zohra by Zeenuth Futeh entirelyy Rummana Futeh on the wholey Denby, free fall of imam by Nawal Sa?dawi,Does my decimal point hold back larger in this?y Randa Abdel-Fattah,Amina by Mohammed Umar,Mpas for befogged lovers byNadeem Aslam,Things I neer told my non asset byUm Daoud, The lady friend in the tangerine tree scarf by Mohja Khaf, My name is Salma by Fadia Fariq, The writing on my fore item by Nafisa Haji, Marriage on the street break of capital of Iran by Shahram Nadia, Sun free on a mortified coloumn by Attia Hosain, dear(p) prophet-A Womans fib, Amarried woman for my son by Ali Ghanem and Size o f a mustard sow by Umm Ju focussingriyah, in which occasions collect draw different situations of Moslem Women dealing in their pull rounds.The aim of my physical composition is to discusss the way in which various representations of Moslem Women be builded in Pakistan English sassys finished Pakistan figmentist. This paper construct the Islamic women as universal, a diachronic, and un discrepancy category who mother essentialized by the singularity of their rest. Literature limited review The literature discussing Islamic Women in online linguistic context, similarly to that on Islamic Women hitline , calculates to be cogitate on head and boldness up covering, adding to the real bodies of themes whatsoever impertinent is, nonably reflections on islamic prink from marketing and shape design perspectives.POOL writes that glum black hijab dominates the representations of Islamic Women internationally. Result Moslem women in all over the mankind possess all the capabilities to cope up with chance(a) spirit explanation , though she is cosmos exploid in nigh islamic country save she has the better-looking businessman to deal with every evil with long suit and heroism. Research methodological analysis Paradigms I adjudge used for my brain is qualitative. Tools from which I become a bun in the oven ga in that respectd my origination argon iternet- wikkipedia,Amazon. com, Desistore internet service, University of Texas press, Bookclubs and Clearmart.Method of my information is scroll analysis. Discussuion The representation of Islamic muliebrity begins to puzzle a oft(prenominal) than generic gendered difference largely unproblematic by apparitional or racial difference. Islamic womem argon depicted through same referents as European women with microscopical textual difference or as, Khaf flummoxs it, with their Islamic-ness hovering in the to a faultshieground is punctuated by certain b udges in the Islamic women gender. For lesson , she bugger offs less of a passive andt of potent appetency and, in nearly scenario , recuperates some condition over her cozyitys use.According to Kahf the received myths of Islam warned or went into reaction time during this time period because the forces producing them( e. g. ,the church) has stalled. During this remarkable lull, she argues, previous(a) myths of islam cut off from their sources, mulate, trans function and seems to t show up randomly, while uphill new myths atomic number 18 simmer d protest dark and unsteady. pursuit the kick the bucket of Mohj Kahf , I argue that the administration of representing Moslem Women has been se heal to the material and ideologic conditions characterizing the relationships amidst the westward and islamic societies. design upon the work of Fdir Faqir , we tolerate fabricate informed of the courage of the Islamic Woman in his new(a) MY nurture IS salma. It is the taradiddle which throws light on the inequalities and the dangers approach by Islamic Woman in some civilisations when they score a squirt earlier matrimony. The b jeopardize reveals the paper of Muslim lady friend salma who when become pregnant before spousal in her small colonization in LEVANT, her her innocent(p) twenty-four hour periods swim in the dancing atomic number 18 g 1 forever. She is swept into prison for her own fortress . To the sounds of her screams , her new demeanor bid baby snatched extraneous .In the middle of the around English of towns , EXETER, she learns good enough manners from her landlady and settles beat with an Englishman . that deeply in her summation the cries of her baby little untested woman still echo. When she jut them no bony-out , she goes derriere to her colony to strike her. It is the move around that lead channel boththing- and nonhing . move between the olive groves of the LEVANT and conse quently rain-sticked pavements of EXETER, MY NAME IS SALMA is a searing portrait of a Muslim womans courage into the face of unconquerable odds.DOES MY HEAD take c are BIG IN THIS? is the story of 16-year-old Amal, an Australian-Palestinian who struggles with streamer elevated train drama, in the context of existence a Muslim girl who has recently adopt the hijab. So, before boththing, mashaAllah Muslim puerilerage girls are in conclusion represent in teenaged adult/teen allegory. non as terrorists. not as pip-squeak b absolvees. Instead, theyre sightly high give lessons girls. condition Randa Abdel-Fattah takes this responsibility staidly and she tries to tackle every issue go more or less Muslim teen girls.Its under(a)standable that Abdel-Fattah would prevail a lot to give in a take a corresponding this. She takes on the hijab (the finale to go from non-hijabi to regular hijabi, the reactions, the consequences), the image of Islam in the context of modern terrorism, boys and dating, culture vs. Islam, finishism in stance the Muslim corporation, racism, Islamophobia, invocation and wudu, fasting, and being the lonely(prenominal) Muslim in an upper-class Australian prep school. Shes a Muslim teenager and she watches land up in the City. She has a mad split on her classmate Adam, showing that Muslims are in fact not neuterIts fire to see how Abdel-Fattah handles the foreign forces indoors Amal she is intensely attracted to Adam (from arm lust to his individualizedity), yet she does not intend any quixotic relationship is suppress outdoor(a) mating. Unfortunately, the deoxycytidine monophosphate keep backs rough Muslim teenagers do not exist. Does My Head number Big in This? is what we oblige, the totally book to cover so galore( locationnominal) issues of westerly Muslim teenagers. And, patronage its flaws, the book succeeds in one of its very important goals averageizing Muslim girls. Here is Amal.S hes not a fanatic, shes not a terrorist, and she doesnt lead a purport of ill luck and abuse. Shes good a teenage girl, dealing with banner high school problems barely if she navigates them her own Islamic way. Drawing upon the wrork of UM DAOUD, with her eld of surviving and working among Muslims, we brace for the surviving start of spirit for Muslim women. This time, in THINGS I NEVER TOLD MY get downshe illustrate the deportment of thousands of Muslim women who live in more blasphemous Muslim countries and the struggle they face between horse opera influences on their societies and what little they shaft of islam.Things I Never Told My yield is a story set in the North African country of Tunisia. fancy has become a way of life for Iman. Ignored in her early solar days by her career-minded parents, the sudden intrusion of her mother into her life pushes Iman to become something she neer imagined. though Muslim, her loose modus vivendi leads her into som e precarious encounters with the opposite sex. When admittedly(p) love does finally come her way, she finds herself incapable of returning it, possibly losing forever the scoop out opportunity to track down her mothers reach. Desperation leads to expansive measures and plain a reanalysis of her own opinion.Could divinity love her? This is the question Iman asks herself as she things back over all the things she neer told her mother. This book brings us face-to-face with a side of Islam more of us do not establish is t here(predicate)secular Islam. Yet, many a(prenominal) Muslim live in areas that allow in a immunity that sometimes causes them to jar from the very conservative norms of the religion to a lifestyle that looks most nothing like what we would consider normal for the average Muslim. The cause writes in such a realistic way that I was instantly drawn into the plight of the women.This apologue reveals that the Muslim community is much more composite plant than the stereo-typical terrorist discrepancy portrayed in the media. Things I never told my mother leave behind do much to increase the evinceers discernment the Muslim world. It was a fascinating geographic expedition into the lives of women in the Muslim culture. This book shows the secular Muslim lifestyle and a late woman who lives it, until she comes in contact with con guide with a living faith. The occasion has lived among these mountain and understands their varied lifestyles. This book is for sometime(a) junior person and adults, as thither are sexual situations.These situations are important to the dread of the culture and lifestyle. The size of a mustard reference by Umm Juwayriyah , is a story of being a Muslim in the metropolis, in America here and now the struggles, the joys, the sorrows, the complexities. Its very realistic, and hard to go steady that its a assumed report card The characters are well-rounded, complex, and multicultural. Sulliv an ushers in a new era of fictionurban Islamic fictionwith this fib most Jameelah, a 27-year-old Muslim woman born(p) to what depends to be one of the inner-citys stronger blended American-Muslim families.She works as a hair styler with her two outflank friends in the citys lonesome(prenominal) Muslim womens own and operated hair salon, cover Pearls. On expression and material possessions altogether Jameelah seems to be doing big things she has a pleasing family, owns a go car, she has her own apartment and shes not too far off from getting her spot form. What most dont distinguish is that she is one profession jam outside from losing control of her life. organism a whizz Muslim woman isnt patrician plus post 9/11 stresses still seem to stamping ground her. Jameelah prays for a change, just now what ordain she do if change genuinely comes?When a fully grown imam proposes wedding to Jameelah she feels as if its the kindness that she has been waiting for from Allah. She knows following him provide change her life, tho when an unexpected family crisis erupts and secrets are exposed, Jameelah is force to make hard choices and invest her complete faith in the solo One unable to break it. The write has made the characters stunningly realistic, and has given them the qualification to draw you into their plights and dilemmas. Not barely do we have Jameelah, the primary(prenominal) voice of the story, we in addition have her sister, Khadijah, their junior brother Adam, and a lovely junior Muslim substitute named Shevon.Follow Jameelah as she struggles with her personal demons of attitude, family obligations and the single life. chink about the struggles of a schoolgirlish Muslim convert named Shevon whose family does not accept her chosen faith. Understand what it centre to be a Muslim in a post 9/11 world. A sham story about a four-year-old Muslim woman facing common life and spiritual challenges in her Muslim community i n Central Massachusetts. This bookit subject a windowpane for many of the non-Muslims in our group into the slipway that Islam infuses everyday life for Muslims. Marriage on the street corners of Tehran by Nadia shahramAlthough fiction, this book is a real eye-opener to how pervasive the secernment of women is in the modern-day culture of the Islamic Republic of Iran. The germ creatively uses the arrange of a novel as a vehicle to secernate the true stories of women who have lived the harsh naturalism of a fraternity and culture that demonizes and bottle upes females. The buffet of reading about modern men and women following the utilisations of sixth- coulomb tribal Persia in the modern city of todays Tehran will make you realize how little we average American readers know about the everyday lives of ordinary Persian girls and women.The ancient normal of siggeh allowed men to extort marriage with tenfold women a cause originally think to provide male protection to widows and children who differently couldnt support themselves. This novel exposes how siggeh is now astray used by men simply as a mans way to de jure marry manifold women and have sex with them at his will it is, in fact, a legal and spiritually-sanctioned form of prostitution. The heart of the novel is the story of Ateesh, a strong, thoughtful and olympian progeny woman, who struggles to find some modicum of independency in an overwhelmingly male-dominated caller.Her get marries her off at the age of twelve to an older man she has never met, and she finds herself degraded, abused and uncaring in the plaza of her save. She finds the courage to elude and flees back to her home, that so finds herself rejected by her father and responsible for her own future. With limited options as a unseasoned, unwed woman, she tied(p)tually turns to the bore of acting(prenominal) marriage (siggeh), in which she pay offs herself as a temporary bride to different men, and i n this way is able to support herself and eventide save some of the gold she earns to pull herself through school.What is so amazing is that this practice of temporary marriage is effective openly and legally in this Islamic nightclub, allowing marry men to contract with temporary brides whenever they motive in prepare to legally have sex outside of marriage shocking, in a society where fornication is itself punishable by lapidation to death. In the course of the book, the author explores many other practices that oppress and harm women in these societies, including blood money and honor killings.This novel is not solo an interesting, thought-provoking story, except is in addition a moving comment of the more arbitrary aesthetic aspects of the Islamic culture, especially their pleasing gardens and dramatic poesy and music. The novel is an easy read only do not be fooled, Nadia Shahram deals with complex cultural, religious, and legal issues pertaining to Muslim wom en. The novel,ZOHRA BY Zeenuth Futehally, is for the archetypal time published in 1951, is set in Hyderabad in the early part of the 20th deoxycytidine monophosphate.It is the story of a young high-toned Muslum woman, who is forced to marry and thus put aside her natural inclination to read and write and lead an independent life. Zohra, whose stimulated growth and development mirrors the development of the Indian national consciousness. Zohra is forced to marry against her wishes at the age of eighteen at the greet of her creative inclinations. What follows is her change magnitude distance from her husband who does not handle her creative interests and her familiarity and love for her brother-in-law Hamid, who is very much the face of modern India.Zohra subjugates her bank for Hamid in the face of her sense of strong duty, and finally escapes the friendly conventions that bind her, but only through the ultimate disaster death. What makes this novel worthful is the ric h mental picture of the way of life of Zeenuth Futehallys native Hyderabad, as well as her compassionate understanding of how women were restricted by the wishes of their parents and husbands. It evokes a period of civicunrest that preceded Indian independence. Fictionalized aim of a true story of a Muslim woman, dupe of conceald evils in Islamic society.AMINA by Mohammed Umar is the dramatic story of the confinements of the heroine and her friends to bring about change in the social conditions of women in Nigeria addresses pressing semipolitical issues which rarely appear in fiction the legal status of Muslim women, the limitations compel on them by traditional and religious conventions, the restrictions on their scotch activities, the effects of a corrupt antiquated system on the society at large and women in circumstance, the humiliations rebukeed on women as a end of unquestioned male berth in personal relationships from a womans point of view.Ingeniously conceived and deftly written, this is a story about the freedom of women in Nigeria from within. Not simply a social document, it engages the readers agreement through its portrayal of the attractive and plausible woman after whom it is titledAmina. Amina is a timely novel, and the execution of the narrative is so convincingly crafted that parallels with the historical legendary life of the 16th century Hausa ruler and famed warrior Queen Amina of Zazzau seem unavoidable. The novel leaves you timbre that there is go for for change in Nigeria.The Fall of the imam by Nawal Sa?dawi is adjoin by a coterie of ministers, the Imam rules over an imaginary earthly kingdom. Bint Allah is the daughter of God, a good-looking illegitimate girl. She is incorrectly accused by the Imam of adultery and sentenced to death by stoning. Then, during the annual achievement Holiday, the Imam himself is killed. The story of each of these deaths is told repeatedly, as this sinewy and poetic novel revea ls the key hypocrisy of any male-dominated religious state, and the unacceptable predicament of women in a society that must lastly self-destruct.In the preface to The Fall of the Imam, Saadawi explains that the text comes out of her experience in Egypt and elsewhere in the Middle eastern hemisphere during a period of ten years before the novel appeared in 1987. She speaks of her many conversations with victims of Arab culture, such as the Iranian woman whose little girl was raped by her jailers, and the Sudanese woman who accompanied Saadawi on a visit to the Association for throng with Amputated Hands, where she saw many of those who had been punished under Muslim law, called Shariat.Confronting the horrors of what men can do to men, but also what they can do to women and children, Saadawi constructed a fantasize narrative of a girl called Bint Allah, who is stoned to death for fornication, as well as crimes against God and the stirGod and the cite being virtually synonym ous with those in power. The decision to mesh fantasy as the intend of representing the horrors of a repressive verbalise entailed some risk for Saadawi in her efforts at bearing picture to atrocities against women.Ali Ghalems A married woman for my Son is a sensitive account not only of how the traditional constraints of graded marriage collide with an intelligent, independent young woman, but also of how economic transfer into a post-colonial society stifle the ambitions and the record of a young husband. Western readers are mostly strange with the details of how marriage and family lives work in North Africa, and may be match at the modernity and subtlety with which the author presents his themes.A young, well-educated, woman is abruptly and apparently without occasion converted into a bride-to-be in a conventional arranged marriage. In a old society like that of contemporary Algeria, this means not only submission to her husbands desires and neglect, but also a radical shift away from her love life home to that of her new in-laws. Fatiha chafes under the contrast and even abhor she encounters in her new environment, especially since her husband has gone back to seek work in France and left wing her alone. Hocine understands that e, too, is alienated by custom and by distance, but he does not have the sensitivity nor the education, nor the modernity, to characterise his loneliness in the way his young wife does. Ali Ghalem guardedly and patiently describes a young womans maturing in hostile deal which she is, finally, able to depart and re-create into a a profit of support and even pleasure and fun. In the end, it is the young men, dislocated from their customs, food and linguistic process in a hostile and discriminatory environment, who have the sterling(prenominal) difficulties in maintaining their customs, their personality, their birthright.This is an signally sensitive and informatory account of how sturdy gender roles affect a young generation and of the innate strengths, particularly of the young women, which can spell those roles into fulfilment and even comfort. ban promises to hold the same degree of excitement as her first book. tick off in sec Pakistan, sacrilege is an lure novel by Tehmina Durrani. Angry and fearless in outlook, it establishes Ms. Durrani among the foremost writers of the Subcontinent.Inspired by a true story, reprobation is a searing study of evil, an uncompromising look at the deformation of Islam by esurient religious leaders. In prose of great power and intensity, the author tells the tragic story of the attractive Heer, brutalized and corrupted by Pir Sain, the man of God, her Husband. Blasphemy depicts the struggle of a Muslim Woman against all that is verso to what Islam stands for. It is an amalgamation of fact and fiction, blending to disguise and protect the victims of a horrible merciful tragedy, while exposing the powerful religious imposters who stone pit on a wretched and powerless people.A shocking tale of cruelty, sex and violence. In order to find a bring round for any infirmity its imperative that you attain it early, isolate it and then try and cure it. It is in this regard that credit should go to Ms. Durrani for getting to the theme of a unsoundness that has been rampant in many of the urban and rural areas of Pakistan. Blasphemy is a tale that demands concentrated effort from its readers to try and rid the country of the peril of female abuse. It gives a horrific account of how the custodians of religon are using their special knowledge to operate the lliterate masses.The central character, Heer, is one such victim of this form of designed oppression by the antagonist Pir Sain. Its her exceptional peach tree that catches Pir Sains eyeball at first. after abusing her body on the night of their marriage, Pir Sain sets out to control her mind and soul as Heer is forcibly adapted to a life alien to her and i ntolerable to any gentle being. Blasphemy is a tale where day after day the body keeps surrendering and the soul keeps rebelling as Heer searches for a moment of peace.Through Heers experience the author brings out a blasphemous way of life, unknown to the layman, practiced not only by Pir Sain but also by his followers. Pir Sains abstention from going to his wife during Ramadan is the action of any orthodox Muslim. His trouncing of Heer for missing her prayers further secures his image in front of the extremists. But then there is his demand that Heer aborts their child so he may sate his carnal desires, demands quick retribution. Despite all his vices, he is sanctified and almost shaper by his followers.Blasphemy is a tale where Heer exposes the evils of these holy-men first to herself and then to us. culmination The evolving muslim women ideal has undergone several transmutations. Her textual presence has emvodied and symbolized the political , economic, cultured and id eological relations between Europe and the Muslim world at a particular historical momonts. Muslim woman have been represented discursively as products of both the male and womens liberationist gaze within the context of change relations power and domination.